— Workshops

On Your Own

Ten self-paced lessons to sharpen your eye. Take them anywhere, at your own pace — then come back to the studio for the deeper craft.

01—

Portrait with Bokeh

Get close and separate your subject from the background. A wide aperture turns a busy scene into a soft wash of light behind your subject.

Aperture

f/1.8

Shutter

1/250s

ISO

Auto ISO

Portrait with Bokeh
02—

Silhouette

Expose for the bright sky behind your subject and let them fall to pure black. The strongest silhouettes come from clean, recognizable shapes.

Best time: Sunset / Sunrise
Silhouette
03—

Freeze Action

Use a fast shutter to stop motion mid-stride. The faster the subject, the faster the shutter you need.

Shutter

1/1000s+

Perfect For

SportsCarsWildlifeMovement
Freeze Action
04—

Motion Blur

Keep the camera steady while allowing movement to blur. A slower shutter renders motion as elegant streaks of light and color.

Shutter

1/10–1/30s

Motion Blur
05—

Panning Shot

Track your moving subject with the camera while firing. The subject stays sharp while the background streaks with motion.

Shutter

1/30–1/125s

Result

Subject sharp / Background motion

  • •Follow your subject smoothly
  • •Use continuous AF
  • •Try burst mode
Panning Shot
06—

Long Exposure

Mount the camera on a tripod and open the shutter for several seconds. Moving water, traffic, and clouds turn to silk and light trails.

Setup

Tripod + slow shutter

Perfect For

WaterTrafficCloudsCity Lights
  • •Use a tripod
  • •Use an ND filter in bright light
  • •Try 2–30s exposures
Long Exposure
07—

Golden Hour Portrait

Put the sun behind or beside your subject for warm, directional light and long, flattering shadows.

Perfect For

Rim LightLong ShadowsWarm Tones
Golden Hour Portrait
08—

Low-Light / Night Photo

Use a wide aperture, a slower shutter, and higher ISO to gather light when the scene goes dark.

Aperture

f/1.4–f/2.8

Shutter

1/4–1/30s

ISO

800–6400+

Low-Light / Night Photo
09—

Reflection Shot

Look for water, glass, mirrors, and puddles. Get low to the ground to exaggerate the reflection.

Perfect For

WaterGlassMirrorsPuddles
  • •Get low to the ground to exaggerate the reflection
Reflection Shot
10—

Frame Within a Frame

Shoot through doors, windows, trees, architecture, and foreground objects. Use the environment to lead the viewer toward your subject.

Perfect For

DoorsWindowsTreesArchitecture
  • •Use the environment to lead the viewer toward your subject
Frame Within a Frame

— Reference Guides

Visual Cheat Sheets

Printable, on-the-go references for the fundamentals — exposure, composition, lighting, colour, and lenses.

Exposure

Shutter · Aperture · Iso

This is all you need to know.

Keep the light meter at 0 for a balanced exposure.

Expose for the highlights to avoid blowing out the whites.

Optimal
-2-10+1+2
Underexposed
-2-10+1+2
Overexposed
-2-10+1+2

Aperture

Smaller f/stops represent larger apertures — more light through the lens and a shallower depth of field.

f/1.4
f/2
f/2.8
f/4
f/5.6
f/8
f/11
f/16
← Shallow DOF · BrighterDeeper DOF · Darker →

Shutter Speed

The length of time the digital sensor inside the camera is exposed to light.

1"
1/4
1/15
1/60
1/125
1/250
1/500
1/1000
← Longer Exposure · Blur ActionShorter Exposure · Freeze Action →

ISO

The sensitivity of the image sensor (or film) to light.

Low ISO for daytime — high ISO for night.

100
200
400
800
1600
3200
6400
12800
← Low Sensitivity · Low NoiseHigh Sensitivity · High Noise →

Composition Examples

Sixteen frameworks for arranging a frame — red marks the principle, black frames the subject.

Rule of Thirds
Golden Spiral
Diagonal
V-Shape
Pyramid
S-Curve
L-Shape
Double Diagonal
Radiating
Tunnel
Golden Triangle
Golden Section
Circular
Cross
Balance
C-Shape

Lighting Guide

Master Pro Portrait Studio Set-Ups

Light Subject Camera
Rembrandt · Softbox

Rembrandt · Softbox

Key 45° front-high. Triangle of light on shadow cheek.

Rembrandt · Brolly

Rembrandt · Brolly

Shoot-through umbrella for soft, spread Rembrandt.

Rembrandt · Honeycomb

Rembrandt · Honeycomb

Grid controls spill — focused Rembrandt patch.

Rembrandt · Silver Brolly

Rembrandt · Silver Brolly

Reflective umbrella — snappier contrast.

Rembrandt Short

Rembrandt Short

Key lights the side of face turned from camera.

Rembrandt Broad

Rembrandt Broad

Key lights the side turned toward camera.

Split

Split

Key 90° side — half face in shadow.

Split with Fill

Split with Fill

Split key plus low-fill on shadow side.

Split / Short

Split / Short

Side key on the off-camera side of the face.

Split / Broad

Split / Broad

Side key on the camera-facing side of the face.

Key · Close Softbox

Key · Close Softbox

Large, soft wrap from a near softbox.

Key · Far Softbox

Key · Far Softbox

Smaller, harder source — more shadow detail.

Loop

Loop

Key slightly off-axis — nose shadow loops down.

Butterfly

Butterfly

Key high & on-axis — butterfly nose shadow.

Flat Light

Flat Light

Key on-camera axis — even, shadowless.

Badger

Badger

Top + bottom split — dramatic light banding.

Clamshell

Clamshell

Top key + bottom reflector — beauty glow.

Loop + Background

Loop + Background

Loop key plus a light on the backdrop.

Loop + Rim

Loop + Rim

Loop key plus a rear rim to separate subject.

High Key

High Key

Bright, evenly lit — near-white background.

Key + Fill

Key + Fill

Two-light ratio — shape with contrast control.

Key, Fill + Hair

Key, Fill + Hair

Classic three-light portrait rig.

Hard Key + Kickers

Hard Key + Kickers

Bare-bulb key flanked by edge kickers.

Coloured Gels

Coloured Gels

Gelled key + complement for creative wash.

Color Theory

Color Mixing

CMYK — Print Process

RGB — Light Generated

Grayscale — Black & White

HSB — Hue · Saturation · Brightness

← CoolWarm →

Meanings

Red

Love · Blood · Fire · Energy · Strong

Purple

Power · Wealth · Ambition · Royalty

Blue

Sea · Trust · Sky · Stability · Depth

Green

Freshness · Nature · Growth · Safety

Yellow

Energy · Sunshine · Bright · Joy

Orange

Warm · Happiness · Success · Creative

Color Properties

Cool
Warm
Bright
Dark
Saturated
Desaturated

Color Relationships

Primary
Square
Complementary
Triad
Analogous
Tetradic

Focal Length & the Face

The same subject shot at nine focal lengths — wide lenses stretch and distort the face, longer lenses compress and flatter. Move the camera back to keep framing consistent as you increase focal length.

Same subject at 20mm
20mm
Same subject at 24mm
24mm
Same subject at 28mm
28mm
Same subject at 35mm
35mm
Same subject at 50mm
50mm
Same subject at 70mm
70mm
Same subject at 105mm
105mm
Same subject at 150mm
150mm
Same subject at 200mm
200mm
← Distortion · WiderCompression · Flattering →

Telephoto Compression

The background appears closer to the subject as focal length increases. Only two variables change — your distance from the subject, and the focal length itself — yet the outcome looks dramatically different.

35mm compression example
35mm

Wide view — the background sits far behind the subject.

100mm compression example
100mm

Medium telephoto — the background visibly moves closer.

200mm compression example
200mm

Long telephoto — background compresses right against the subject.

The takeaway

Stand farther back and zoom in. The subject stays the same size in the frame, but the background compresses toward them — a signature look of long lenses that wide angles can never replicate.

Let's Keep It Simple

I'll Explain Briefly

What are the camera modes

and what they are best suited for.

M

Manual Mode

Full control over aperture, shutter speed and ISO.

P

Program Mode

Camera sets everything for a balanced exposure.

S

Shutter Priority

You set the shutter speed, camera handles the rest.

A

Aperture Priority

You set the aperture, camera handles the rest.

AUTO

Auto Mode

Camera does everything automatically.

M MODE

M MODE (MANUAL) GIVES YOU FULL CONTROL OVER SHUTTER SPEED, APERTURE AND ISO.

You decide how the light is captured — for consistent results and total creative freedom.

Best Suited For

Landscapes

Perfect exposure for every light situation. Capture stunning detail and dynamic range.

Portraits

Full control over depth of field and light. Create images with exactly the look you want.

Low Light & Night

Adjust settings precisely to the conditions. Get clean, sharp results even in challenging light.

Studio & Controlled

Ideal for studio work, product photography and any situation where consistency is key.

M MODE IS FOR PHOTOGRAPHERS WHO WANT TOTAL CONTROL AND ENDLESS POSSIBILITIES.

P MODE

P MODE (PROGRAM) SETS THE APERTURE AND SHUTTER SPEED AUTOMATICALLY — FOR A PERFECTLY BALANCED EXPOSURE.

The camera chooses the best settings for you, so you can focus on composition and the moment.

Best Suited For

Everyday Photography

Ideal for quick and spontaneous shots in any situation.

Events & Travel

Perfect for capturing special moments without worrying about settings.

Well-Lit Situations

Great results in good lighting conditions with balanced exposure.

Beginners & Casual

Easy to use while still delivering high-quality images.

P MODE IS PERFECT WHEN YOU WANT GREAT RESULTS — FAST, EASY AND RELIABLE.

S MODE

S MODE (SHUTTER PRIORITY) LETS YOU SET THE SHUTTER SPEED — THE CAMERA ADJUSTS THE APERTURE FOR YOU.

Take control of motion while the camera handles the aperture for a perfectly balanced exposure.

Best Suited For

Action & Sports

Freeze fast action or capture the perfect moment with precision.

Water & Motion

Create smooth, silky water effects by using slower shutter speeds.

Panning Shots

Follow moving subjects and create dynamic motion blur in the background.

Bright Light

Use fast shutter speeds to avoid overexposure in bright conditions.

S MODE IS PERFECT WHEN YOU WANT TO CONTROL MOTION AND LET THE CAMERA HANDLE THE REST.

A MODE

A MODE (APERTURE PRIORITY) LETS YOU SET THE APERTURE — THE CAMERA ADJUSTS THE SHUTTER SPEED.

Control the depth of field while the camera takes care of the right shutter speed for a perfect exposure.

Best Suited For

Portraits

Create beautiful background blur (bokeh) and make your subject stand out.

Landscapes

Use smaller apertures for greater depth of field and everything in focus.

Street & Travel

Quick and flexible control over depth of field in changing environments.

Product Photography

Control focus and background to create clean, professional product shots.

A MODE IS PERFECT WHEN YOU WANT TO CONTROL DEPTH OF FIELD AND LET THE CAMERA HANDLE THE SHUTTER SPEED.

AUTO MODE

LET THE CAMERA DO THE WORK — YOU FOCUS ON THE SHOT.

Auto Mode automatically adjusts all settings for a well-balanced exposure in any situation.

Best Suited For

Beginners

Easy to use and perfect for learning the basics without worrying about settings.

Everyday Shoots

Ideal for casual photos, family moments and spontaneous situations.

Good Light Conditions

Works great in well-lit environments for sharp, clear and vibrant images.

Fast & Convenient

Quick and reliable — perfect when you need results without adjusting settings.

AUTO MODE IS PERFECT WHEN YOU WANT GREAT RESULTS — FAST, EASY AND HASSLE-FREE.

Better Understanding. Better Photos.

— Stay in the Loop

Stay in the Loop

New lessons, critiques & events.

Photography in the RAW

Strip away the automated frame. Master the image.

Studio

Salt Media Studios

501 Walnut St · Frederick, CO 80530

Serving Northern Colorado & Denver

Denver · Boulder · Fort Collins · Loveland · Longmont · Greeley · Broomfield · Erie

© 2026 Photography in the Raw — Robert Morrissey

Privacy PolicyAdmin

Photography Classes · Frederick, CO · Serving Northern Colorado & Denver

ISO 100 · f/8 · 1/125s

We use cookies to enhance your browsing experience, analyze site traffic, and personalize content. By clicking "Accept All", you consent to our use of cookies.

Read our Privacy Policy